News commentary

Behind the Pulitzer Board’s Epstein reporting plaudits

semafor.com · Max Tani · last updated

The Pulitzers this year revived an old internal disagreement among the guardians of journalism’s top award over reporting on Jeffrey Epstein — and showed how the prize is struggling to keep up with both public sentiment and shifting media consumption.

Earlier this week, we reported that a years-old fight among Pulitzer Prize judges over a major story about the late sex offender had spilled into view, a rare occurrence within a prestigious awards body that generally keeps its deliberations and decisions relatively private. On Monday, the Pulitzer Board awarded a “special citation” for Miami Herald investigative reporter Julie Brown’s 2018 series, Perversion of Justice, the story that raised questions about the federal government’s prosecution of Epstein and effectively reopened the investigation into him.

It was an unusual move: While the Pulitzer board grants citations for broad categories of journalists like those covering wars or to influential journalists posthumously, the organization rarely grants citations for recent nominees who were snubbed.

The Miami Herald had submitted Brown’s work for a Pulitzer Prize when it was initially published. While it was considered for the investigative prize, it did not win an award in 2018 or 2019 due to the strong objection of an editor who convinced other judges that year that the piece, while important, lacked the substantially new information needed to deserve the award, two people familiar with the deliberations that year told Semafor.

In an email to Semafor last week, Joseph Sexton, then a ProPublica editor who had previously run the Metro and Sports sections for The New York Times, called Brown’s work “commendable and consequential,” but added that “most explosive elements of her reporting had been previously published, both in news articles and books.”

“The work’s impact on the public’s appreciation of Jeffrey Epstein’s crimes and the troubling performances by local and federal authorities was considerable, and I raised the possibility that the entry be moved to another category — public service or explanatory, perhaps. Nothing came of it. The Pulitzer board encourages its juries to engage in both robust debate and its own inquiries into the distinctiveness of all entries. It was a seven-person jury, and the majority vote required to advance Brown’s work as a finalist did not happen.”

Brown declined to comment at the time.

The lack of a Pulitzer has been a sore spot for Brown and her Miami Herald allies. The snub by the Pulitzer Board was initially planned to be a plot point in the televised narrative version of the saga currently being developed by Sony Pictures Television and Adam McKay, Semafor has learned.

The renewed interest last year in the Epstein case prompted some around Brown’s reporting to launch a lobbying effort. A few days before the awards were announced, former McClatchy CEO Craig Forman came back to X after a year to openly campaign for Brown’s work to be recognized by the Pulitzer Board.

Two Pulitzer board members who spoke with Semafor said that external lobbying wasn’t a factor in conversations around giving Brown a special citation, nor was the idea that the award was serving as a corrective for not selecting her when her stories were originally published. And while there was some awareness of the discussion around the “snub” in 2019, much of the board and jury has also turned over since Brown’s work was originally nominated in 2018, and the people who reevaluated it felt it has been central to one of the biggest news stories of the year.